Tag Results: big sir
INDIE MAG’S ICON Feature: Lisa Papineau of Me & LP
PREFIX Track Premiere: “The Kindest Hour” by Big Sir
“The Kindest Hour” will appear right at the halfway mark on Big Sir’s upcoming 11-track album, Before Gardens After Gardens, which makes me think it could be an important transitional song. Singer/composer Lisa Papineau (ME & LP, Air, M83) and bassist/composer Juan Alderete (The Mars Volta, Racer X) create this pretty, eerie (also pretty eerie) tune with help from Heather Lockie and her moody viola playing, which is contrasted by Alderete’s smooth, clean bass. Also featuring Cedric Bixler Zavala (The Mars Volta) on drums and Matthew Embree (RX Bandits) on guest vocals.
Although subdued, Papineau’s melodic singing is of major note here, as it adds dimension to her partner’s muscle and, overall, fills out the otherwise sparse music. The voice and the instrument meet up here and there, eventually creating a watershed of sound that boils over as if you turned the stove off a second too late. The result is something like a cathartic overflow of warmth—thanks, in part, to the blanketing organ—ultimately faced with an icy wash of male-female vocals. “Hour,” which you can stream below, is a compelling audio embodiment of feelings that could be as strongly expressed visually as they are here. Big Sir’s Before Gardens After Gardens will be available Feb. 7 on Rodriguez Lopez Productions/Sargent House.
COS: Big Sir New Album Song Premiere “Ready On The Line”
Big Sir, the Los Angeles-based project of vocalist Lisa Papineau (ME & LP, M83, Air) and The Mars Volta bassist Juan Alderete, will release their third album, Before Gardens After Gardens, in February. The two composers’ articulate, electronic-tinged blend of R&B, jazz, and hip-hop falls somewhere between Papineau’s acoustic solo work and Alderete’s forays into prog-rock as part of The Mars Volta.
Before Gardens After Gardens’ first single “Ready on the Line” spikes Papineau’s exquisitely harmonized Bjorkian voice with whistles, chimes, and mechanical claps. The subtle background heartbeats, reminiscent of Timbaland’s early work with Aaliyah, anchor the buoyant track, which otherwise threatens to float away on Papineau’s upper range, especially when she screams, “Get so high!” Stream it or download it below.
Before Gardens After Gardens is out February 7th on Rodriguez Lopez Productions / Sargent House. The album also features contributions by The Mars Volta’s Cedric Bixler-Zavala, RX Bandits’ Matthew Embree, bassist Jonathan Hischke, and Beastie Boys producer “Money” Mark Ramos-Nishita.
Flab Mag: Interview with Matthew Embree about ME&LP
Chez Raymond, an EP by ME&LP of six disparate but complimentary songs crafted by Matthew Embree (RX Bandits) and Lisa Papineau (Big Sir), is a sentimental homage to the joys of collaboration and musical experimentation. The styles veer from lilting Flamenco on the EP opener Quatro to rolling country-folk on EP closer – a tune Embree calls “a joke” (it’s not) – Right On Down the Line with some pseudo Afro-pop and indie balladeering in between. Understand, there are no false notes to be found anywhere on this EP. This is owed in part to Lisa Papineau’s vast body of work traversing many genres and her obvious skill at creating compelling vocal instrumentations. Add to the mix the soulful voice of Matt Embree and you have a satisfying first beginning to what I hope is a long-term project.
I sat down with Matthew Embree for a brief Q&A when RX Bandits played in Sacramento on the farewell tour. I had no idea who he was or that he is very much loved and his band is popular with the kids. But I had listened to Chez Raymond at least 100 times by then so this interview is about that project.
FLABmag: I heard you met Lisa at an art opening and immediately knew you had to collaborate with her, but what was the context? Did you hear her sing or did you shake hands and it was an immediate connection?
Matthew Embree: No, I heard her sing first in the band Big Sir with Juan (Aldrete) from The Mars Volta and I thought she was just amazing and is obviously incredibly talented. Her voice just struck me, you know?